Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VERONESE (Paolo Caliari)
The Marriage at Cana (mk05)

ID: 20320

VERONESE (Paolo Caliari) The Marriage at Cana (mk05)
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VERONESE (Paolo Caliari) The Marriage at Cana (mk05)


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VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | Veronese | The Marriage at Cana (detail) aer | Mars and Venus United by Love aer | Jupiter Smiting the Vices (mk05) | The Marriage at Cana (mk05) |
Related Artists:
Juan de Flandes
Flemish-born Spanish Northern Renaissance Painter, ca.1460-1519 South Netherlandish painter, active in Spain. Nothing is known of his life or work before he went to Spain, where he is first mentioned in a document of 1496 as Juan de Flandes, a painter in the service of Queen Isabella of Castile. Treasury accounts confirm that he held this position until the Queen death in 1504. On arriving in Spain, he must have lived in Burgos, where he certainly met MICHEL SITTOW, another painter in the Queen service, who had been at the Castilian court since 1492.
arthur o shaughnessy
1844 C 81, English poet and naturalist. He was a member of the zoological department of the British Museum. He wrote four volumes of poetrye Epic of Women (1870), Lays of France (1872), Music and Moonlight (1874), and Songs of a Worker (1881)??which all reveal the influence of D. G. Rossetti. One ode, beginning, We are the music-makers, is his best-known poem.
VASARI, Giorgio
Italian Mannerist Writer and Painter, 1511-1574 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.






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